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FEBRUARY 8, 2010:
"Must Love Seaborn Mouth Monsters" tracklist: 01. Beach House - Norway :: Teen Dream, 2010 02. Lila Downs - El Relámpago :: La Cantina, 2006 03. Two Ton Boa - Bleeding Heart :: Two Ton Boa, 2000 04. Ramona Falls - Bellyfulla :: Intuit, 2009 05. Vampire Weekend - Run :: Contra, 2010 06. Pentangle - House Carpenter :: Basket of Light, 1969 07. Carrie Underwood - Temporary Home :: Play On, 2009 08. The Twilight Sad - Made to Disappear :: Forget the Night Ahead, 2009 09. Dolly Parton - Jolene :: Jolene, 1974 10. Balmorhea - Night in the Draw :: All Is Wild, All Is Silent, 2009 11. Calexico - Inspiracion :: Carried to Dust, 2008 12. Patti Griffin - Mil Besos :: 1,000 Kisses, 2002 13. Susan McKeown - In London So Fair :: Bushes and Briars, 1998 14. Kurt Weill / Paul Green - Aggie's Sewing Machine Song :: Johnny Johnson, 1956 15. Bear In Heaven - Dust Cloud :: Beast Rest Forth Mouth, 2009 16. Oregon - Cane Fields :: Out of the Woods, 1978 17. Lesser Birds of Paradise - The Devil's Rope :: Space Between, 2006 18. Fred Jordan - The Dark-Eyed Sailor :: Voice of the People vol 2, 1999 length: 80:20 ~~~~~~~~~~~~~~~~ You haven't even got a face Notes: Let's see, the interval between that lovely rendition of "Temporary Home" and "Made to Disappear" is a nice song called "Black Hills of Dakota", from the movie Calamity Jane. Audio snippets from same feature throughout Patti Griffin's delectable performance of "Mil Besos". Back to "Temporary Home", that was made by recording the song as it played on the radio with the radio tuned one frequency decimal too low, and mixing it with the default recording. I had to stagger the default recording forward at several points, because the radio recording was faster, which I don't really understand unless having the radio on the wrong frequency distorts time as well as sound, or radio stations like to play songs at about 105% speed to get in more commercials. Anyhow, after I matched them up best I could, I bounced the levels around and skipped some boring parts and there it is. Lastly, "Cane Fields" has some ambient noise from some of those 360 tours of the Haiti shelters, post-earthquake. I felt the song fit as sort of an elegiac, instrumental moment-of-silence. I'm glad Bill Clinton realizes, now, that it would have been a darn good idea to let Haiti continue to grow its own food in the nineties instead of becoming plastic-Disney-Princess-costume-basket to the world. Cover Info Covers from Square America and Shorpy, as usual. They are fine sites and I have linked them so many times. ~~~~~~~~~~~~~~~~
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